Purchase Pieces from 'The Divinest Sense' Show by June Glass, Jonathan Brand & Bevan Ramsay

Ceramics with Pam Church | Beginners and Intermediate – Summer Session II 2025

Tuesdays, 1:00 PM to 4:00 PM & 5:00 PM to 8:00 PM | July 15, 22, 29, August 5, 12, September 2, 9, 16 Wednesdays, 9:30 AM to 12:30 PM | July 16, 23, 30, August 6, 13, September 3, 10, 17 Location: Washington Art Association’s Ceramics Studio Learn wheel throwing and numerous hand-building and surface decorating techniques. All experience levels are welcome! The class is custom-tailored to meet the goals of each student. Let’s get dirty, meet some new friends, and have some fun!!! Additional Fees: $0.06/ cu firing fees not included. Clay is included. Bench fees are NOT a requirement to take the class, but only current students can enroll for Bench fees. Press to Pay your Firing Fee! Press to Pay your Bench Fee!  

Cancellation Policy

Participants who withdraw from a class must request a refund or credit more than 14 days prior to the start of the class in order to receive a full refund or credit (minus a $20 cancellation fee or 10% for one-day workshops). Participants who cancel a registration between 8 and 14 days prior to the start of the class may receive a 50% refund or credit. Participants who cancel a registration less than 7 days prior to the start of the class will not receive a refund or credit. Washington Art Association does not offer prorating for classes, and there are no make-ups, credits or refunds if a student misses a class. Membership fees are non-refundable.
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Monotype printmaking including carborundum aquatint and drypoint with master printer, Anthony Kirk – Summer Session II 2025

4 weeks 

Fridays, 10:00 AM to 1:00 PM | July 25, August 1, 8, and 15

Location: Washington Art Association’s General Studio

This series of classes will explore several ways of printing monotypes by hand on Japanese papers as well as printing on the studio etching press.

Last year’s exhibition, About Printmaking, created interest in other processes such as carborundum aquatint and drypoint and these techniques used by artists from Rembrandt to Joan Mitchell, will be combined with monotype to create a series of unique monoprints.

Non-toxic inks will be used where the solvent for clean-up is Dawn detergent. Therefore, artists will work in a fume-free environment.

No previous printmaking experience is necessary.

 

Cancellation Policy

Participants who withdraw from a class must request a refund or credit more than 14 days prior to the start of the class in order to receive a full refund or credit (minus a $20 cancellation fee or 10% for one-day workshops).

Participants who cancel a registration between 8 and 14 days prior to the start of the class may receive a 50% refund or credit.

Participants who cancel a registration less than 7 days prior to the start of the class will not receive a refund or credit.

Washington Art Association does not offer prorating for classes, and there are no make-ups, credits or refunds if a student misses a class.

Membership fees are non-refundable.

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Drawing and Picture Making with Linda West – Summer Session II 2025

8 weeks

Mondays, 1:00 PM to 4:00 PM |

August 4, 11, 18, 25, No Class September 1 (Labor Day) September 8, 15, 22, 29

Location: Washington Art Association’s General Studio

Linda West’s Materials List 2025.pdf

Drawing is the foundation of representational artwork. This class teaches the elements and principles of drawing and picture making. You learn technique along with observational skills. Lectures are given on a variety of subjects such as measuring, perspective, composition, value, color, contrast, balance, harmony, etc. Whether beginner or intermediate, be prepared to learn, explore materials, create and have fun!

 

Cancellation Policy

Participants who withdraw from a class must request a refund or credit more than 14 days prior to the start of the class in order to receive a full refund or credit (minus a $20 cancellation fee or 10% for one-day workshops).

Participants who cancel a registration between 8 and 14 days prior to the start of the class may receive a 50% refund or credit.

Participants who cancel a registration less than 7 days prior to the start of the class will not receive a refund or credit.

Washington Art Association does not offer prorating for classes, and there are no make-ups, credits or refunds if a student misses a class.

Membership fees are non-refundable.

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Painting in Oils with Robert Watkins – Summer Session II 2025

7 weeks

Saturdays, 1:00 PM to 4:00 PM | August 9, 16, 23, 30, September 6, 13 and 20

Location: Washington Art Association’s General Studio

Join us for a traditional painting class using environmentally safe materials. We will focus on mixing colors with a limited palette. Still lives and landscapes will be used to explore the concepts of perspective, composition, and spatial relationships. Whether you’re a beginner or looking to refine your skills, this class promises to be a supportive environment where creativity flourishes.

Robert Watkins Supply List.pdf

 

Cancellation Policy

Participants who withdraw from a class must request a refund or credit more than 14 days prior to the start of the class in order to receive a full refund or credit (minus a $20 cancellation fee or 10% for one-day workshops).

Participants who cancel a registration between 8 and 14 days prior to the start of the class may receive a 50% refund or credit.

Participants who cancel a registration less than 7 days prior to the start of the class will not receive a refund or credit.

Washington Art Association does not offer prorating for classes, and there are no make-ups, credits or refunds if a student misses a class.

Membership fees are non-refundable.

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Creating Clay Sculpture with Mary E. Adams – Summer Session II – 2025

6 weeks

Wednesdays, 9:30 AM to 12:30 PM |

August 6, 13, 20, 27, September 3, 10

Location: Washington Art Association’s General Studio

Press to Pay your Firing Fee! Press to Pay your Bench Fee!

Using clay to create sculpture is a way to explore three dimensions with one’s fingertips. Whether working from a live model, a plaster cast, or one’s imagination, the hand and eye internalize knowledge about proportion, relationship, gesture, and anatomy. Members of the class are free to discover their own interpretation of the subject. We work in water-based clay. A model will be provided. The instructor will work with each student individually.

Mary E. Adams works in various media including clay, bronze, oil, watercolor and pastel. She began her study of art in Paris in 1972. Returning home to Savannah in the mid’70s, she studied oil painting with noted Georgia artist, Augusta Oelschig. She moved to New York in 1981 and for three and a half years studied drawing and painting at The Art Student’s League where she is a life member. During that time, she was involved in several Off Broadway theatre projects.

Since the ‘90s, she has created sculptures in clay and limited edition bronzes. She has participated in numerous invitational showings. Her work is in private collections in Auckland, New Zealand, New York, Washington, DC, Boston, Hollywood, Savannah and Litchfield County, CT.

She has taught sculpture at Washington Art Association since 2013. Her works of sculpture are represented in the Low Country by Four Corners Gallery in Bluffton, SC.

http://www.maryadamsart.com/bio.html

Cancellation Policy

Participants who withdraw from a class must request a refund or credit more than 14 days prior to the start of the class in order to receive a full refund or credit (minus a $20 cancellation fee or 10% for one-day workshops).

Participants who cancel a registration between 8 and 14 days prior to the start of the class may receive a 50% refund or credit.

Participants who cancel a registration less than 7 days prior to the start of the class will not receive a refund or credit.

Washington Art Association does not offer prorating for classes, and there are no make-ups, credits or refunds if a student misses a class.

Membership fees are non-refundable.

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Winter by Scott Seebart

Scott Seebert

Winter (2023)

oil on linen

24″ x 23″

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Fall by Scott Seebart

Scott Seebert

Fall (2024)

oil on linen

23″ x 24″

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Paradox by Maritza

“A look into the symbiotic nature of life and death. This piece looks to give the audience a choice in what they see as life or death and how that choice changes the viewer experience as a whole.”

Works on Paper Category

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Figure Painting with Scott Bricher – Summer Class 2025

8 weeks

Sundays, 9:00 AM to 12:00 PM  | May 25, June 1, 8, 15, 22, July 6, 13 and 20

Location: Washington Art Association’s General Studio

Learn to paint the figure (or anything) in oil.

Scott will coach the class in a dynamic way of seeing shape, value and color. He takes a hands-on approach to teaching with demonstrations and continual classwide and individual instruction. Through short and long poses of nude and clothed models, students will build mastery which can be used for painting any subject. Level up your painting skills in a nurturing and interactive environment.

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Colored Pencil for Botanical Art with Teresa Goetz – Summer Class 2025

7 weeks

Wednesdays, 1:00 PM to 3:00 PM | May 21, 28, June 4, 11, 18, 25 and July 2

Location: Across the road from the gallery, at the Ideas Depot, next door to the Post Office

Supply List – Colored Pencil for Botanical Art with Teresa Goetz.pdf

Colored pencils are a perfect medium to draw botanical subjects, especially for the beginner. By using methodical techniques like tonal variation, light and shadow and building layers, easy to draw shapes will become realistic botanicals. In a non-threatening environment, you’ll be taught and then guided through exercises to understand materials and methods, light on form to create realistic 3D images, then the use of blending and color layering on the 3D form. Line drawings will be provided or, you can draw the subjects on your own. Come join us as we explore the meditative process of using colored pencils for botanical art.

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